Everyone is coloring, it’s hard to see sometimes, but everyone is. You can see coloring in reflections or outright pictures. Time stamps or light bulbs turned off. Even the invisible around the corner. The colorings and coincidences made and never quite understood. Copyright - Susy Kamber All rights reserved Song Selection - Bird Gerhl (Live) Antony and tge Johnson & ANOHNI This reads like a meditation on how everyone leaves traces, even when they think they’re unseen. “Everyone is coloring” Coloring here feels metaphorical—each person is adding tone, influence, or meaning to the world simply by existing. It suggests agency, whether intentional or not. “It’s hard to see sometimes” Not all influence is obvious. Much of what people add is subtle, layered, or obscured by noise and distraction. “You can see coloring in reflections or outright pictures” Some truths appear indirectly—reflections, mirrors, photographs, memories—while others are blatant and documented. This contrasts perception versus proof. “Time stamps or light bulbs turned off” These are quiet markers of presence and absence. A timestamp proves something happened; a darkened bulb shows someone was once there. Evidence without explanation. “Even the invisible around the corner” There’s acknowledgment of what we sense but cannot yet see—anticipation, intuition, unseen consequences. “The colorings and coincidences made and never quite understood” Meaning accumulates unintentionally. Patterns form without full awareness. Life creates intersections that feel purposeful but resist complete interpretation. Overall The passage suggests that nothing is neutral—everyone alters the world in small, often unrecognized ways. Meaning is created constantly, but understanding lags behind creation. It’s reflective, slightly mysterious, and gently existential, accepting that full clarity may never arrive—and that’s part of the human condition.